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Master of the Legend of St. Lucy Lamentation Date 1490s
Medium Oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cjr
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Master of the Legend of St. Lucy Scene from the St Lucy Legend Date 1480(1480)
Medium Oil on wood
cjr
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Master of the Legend of St. Lucy Scenes from the Life of St Ursula second half of 15th century
Medium Oil on wood
cyf
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Master of the Legend of St. Lucy Virgin and Child with an Angel between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
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Master of the Legend of St. Lucy Lamentation 1490s
Medium oil on oak panel
Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in).
cyf
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Master of the Legend of St. Lucy St Nicholas Altarpiece between 1486(1486) and 1493(1493)
Medium oil on oak panel
Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in).
cyf
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Master of the Legend of St. Lucy Scene from the St Lucy Legend 1480(1480)
Medium oil on panel
cyf
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Master of the Legend of St. Lucy St Veronica with the Sudarium between 1480(1480) and 1500(1500)
Medium oil on oak panel
cyf
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Master of the Legend of St. Lucy Legend of St Lucy 1480(1480)
Medium oil on oak panel
Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in).
cyf
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Master of the Legend of St. Lucy Mary, Queen of Heaven Date c. 1485-1500
Medium oil on panel
Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in)
TTD
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Master of the Legend of St. Lucy De liefdadigheid van de H. Nicolaas als jongeman. 1486-1493
Medium oil on oak panel
Dimensions 47 X 54.3 cm (18.5 X 21.4 in)
cjr
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Master of the Legend of St. Lucy
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(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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